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These are the top tips from Dr. Instead, Dr. Jess tells Health that blow jobs typically incorporate some combination of licking, sucking, kissing, deep-throating, and hand action.

If you can come right out and ask your partner about their preferences, that's probably easiest. But sometimes giving a blow job is more of a fact-finding mission, and you have to try things out and gauge your partner's response.

Jess recommends trying this: tuck your lips under your teeth, "clamp down for extra pressure, and then slide up and down the shaft.

Based on your partner's response, you'll be able to see if they enjoy light pressure here, and if it's okay to advance to putting the entire head in your mouth A blow job isn't all about the mouth.

In fact, adding hand moves introduces a different level or pressure and sensation, magnifying the pleasure your partner is already feeling.

It's also a good go-to if deep-throating isn't your thing. This is also a good tip for when your mouth or jaw gets tired Try creating a sucking sensation against the delicate skin with your mouth, or using your hand to massage the balls to wow your partner, she suggests.

He swills vodka from the bottle in the shower He drinks greedily at the bottom of a swimming pool He drinks, and drinks, 'til there's no more And when he discovers that the Casino does not offer the Bloody Mary's that he asks, he explodes, overturning the table of Blackjack where he was gambling He wakes up at night shaking so much he can merely crawl to the refrigerator and intensely swallows Vodka mixed with a little orange juice Elisabeth Shue proves to be a revelation as Sera..

A polite, beautiful, and sensitive blonde woman who prides herself on being just a high-class call girl Nevertheless her vulnerable character is very puzzling for her terrible lifestyle, and her strange desperate attachment to a sadistic pimp Yuri Butso Sera meets Ben and inexplicably finds herself attracted to him She soon develop a rich closeness that can nearly be described as love Ben continues to tell her that true love between them could never happen After Yuri is soon out of the way by Russian thugs, she takes Ben under her wing, and attempts to fill a need in her life much like Ben fills his needs with liquor Both share a common bond of misery and loneliness Sera cares for Ben enough to handle his drunken bouts of coldness She complies to Ben's own terms and vows to never dissuade him from his suicidal goal Out of sheer love, she even buys him a silver flask for a present, while, inside, she is desperate to find some way to change his course as well as her own In one of the most revealing scenes at a desert resort, she drowns herself in sunlight and liquor to seduce Ben She tries to love him, and in his infrequent getaways of semi-sobriety, he attempts to love her back The opportunity is shattered as Ben, without an ability or desire to change, becomes for her a tragic portrait of life without hope How foolish of her to push him to select Shue keeps, all the way, an intriguing character extremely human She is good and tender Never tough or cynical Her observations, without dialog, suggest just a sliver of expectation In the final outcome, this dream hooker is the heart of the story The Academy showed their appreciation by giving her a best actress nomination An unusual picture of human desperation and impotency A study of acceptance, resignation and despair of an amazing two characters An examination of what happens when two lovers are caught in cycles of self-destruction The film is extremely well written, directed and acted The chemistry between Cage and Shue is sizzling They are able to solve their existential frustrations by connecting in perfect harmony, and yet they are still completely alone Figgis' camera moves as fluidly as the alcohol guzzles bottle after bottle down Cage's throat The music adds plenty to the motion picture with ballads playing a large role in the odd romance Like Chaplin and Woody Allen, Figgis molds his movie by using his own music In an ironic twist of events, the book's author John O'Brien actually committed suicide in , two weeks after selling the movie rights He never got to see his vision realized on the screen Director, Mike Figgis finished the film as a tribute To me, this is one of the best romantic films that you can get your hands on.

If you are interested in seeing a pure love, one that is not focused purely on sex, but instead emotional and mental connectiveness, then this is the film for you.

While others will argue that this is not the best date film, I would beg to differ. Leaving Las Vegas would be a perfect choice for a first date film over anything that Meg Ryan or the recycle bin of Hollywood has to offer.

It is a gripping story of realistic love, and the dramatic consequences of giving your heart to someone. It is about dreams, companionship, and the hurdles of everyday romance.

This is a film that proves that the darker underbelly of our society still has a shimmering light of hope and love.

Director Mike Figgis has done an outstanding job of giving these two rich characters the right elements to build upon the "classic" love-story moments, while giving it a flavor uniquely his own.

Figgis' mixture of gritty Vegas with the beautiful jazz sounds really created the ambiance of love and pushed these two ugly ducklings closer towards their transformation into love.

I think that is what really captured me on this film, was that it was similar to the love stories that Hollywood continually releases, except it gave us two tragic characters instead of these bubbly, money isn't everything, characters that seem to be repetitive cogs in the Hollywood machine.

Let me explain this further. When you think of a love story, what are the elements that you consider? You have a guy and a girl normally , they have this coincidental moment where they find their common bond, they are held back by either an internal or external dilemma, there is a factor of insecurity, and finally the dramatic ending where the two rush together at a predisclosed location normally an airport.

Does that sound familiar in any way? These are all elements that you can find in LLV. I have seen this film at least a dozen times, and for some odd reason it was this viewing that it just seemed to click for me.

This is the perfect American love story told with a darker tone. While most will see this as nothing more than the story of a drunk trying to kill himself and a graphic scenes with a prostitute, I saw it as the classic story of love.

All the elements are present. Ben and Sera coincidentally meet one night, both seeking companionship and without the pressures of sex, they immediately form this bond that will never be broken.

Through Ben's drunkenness, he remembers her and continually wants to see her. They both have internal factors that hold them back, Sera's is prostitution while Ben's is his drinking.

Even through there are these factors, they still find themselves together. That feeling of insecurity is even there when Sera arrives home one night to find Ben with someone else.

It all seems to fit. Then there is the amazing ending that will either have you in rapture or in awe. These two are in love, and it isn't this bubbly love between Tom Hanks and Meg Ryan, it is truths of America finding the dream of compassion.

The only unnecessary moments that I felt could have been fine-tuned were those involving Julian Sans. I just couldn't capture his character.

I needed a bit more back-story or perhaps more interactions between him and Sera. Something was missing that distracted from the scenes that they shared.

Outside of this one element, the rest of the film was purely flawless and even at times carnal. For example, when Sera has the opportunity to be on her own, she chooses to forgo her independence and be with Ben.

Shue and Figgis both demonstrate that perhaps Sera is not in love with Ben, but instead the concept of a man wanting to be with her because of who she is.

It is obvious that Sera seeks companionship, and probably has never had it all her life, when suddenly Ben struts into the picture.

This may explain why she continues to work when she doesn't have to. She is used to the job, she thrives for the intensity, and perhaps uses it to fall deeper in love with Ben.

Figgis doesn't come out and give you a reason why Sera continues along her path, but instead leaves it up to your imagination and enjoyment.

This is a love story with so many different human elements coming to you at once that the average viewer would probably ignore the signs and see this as a depressing film.

While it isn't the lightest film of the ages, it does prove that "Love is a very splendid thing". I cannot end this review without at least mentioning the amazing acting done by both Nicolas Cage and Elizabeth Shue.

The chemistry between them is rare in Hollywood. I felt that these two really made this film and were just not placed in their roles to sell tickets.

Cage really felt comfortable and understood his character while Shue fit perfectly with her secrets and heart.

It is obvious why Cage won the Oscar for his role in this film, and while I am sure we will never see him take a role like this again thanks to summer blockbusters , it was good to see him take a role that really redefined the romance genre.

The same goes for Shue. While she hasn't really made another film like this one in a very long time outside of Adventures in Babysitting , it is good to know that she can take on roles like this and have the guts to follow through.

Overall, this was a very powerful and emotional film for me. Viva Greek Tragedies hlcepeda 5 January Mike Figgis obliges us with a helpful hint in the scene where Nicolas Cage gives Elizabeth Shue a present of earrings: Greek cameos.

As in the ancient tale, love challenges the inevitability of death, although, in the case of LLV, roles are upended and sometimes blurred, and Orphean references are either thinly disguised, or non-specific to the point of being thoroughly sublimated.

Academic, to be sure, but completely acceptable as long as LLV can sustain itself and remain engaging.

And it surely does, thanks to Figgis' intelligent script and direction, Cage's role as a down-and-out writer and his protracted self-destruction, and Shue's portrayal of a lonely hooker, lifting that old bromide beyond what could have been routine, to a level not seen since Jane Fonda's character in Klute.

Excellent performances all around. With all that said, this film is not for everyone in particular those who only respond to gratuitous sex, car chases, and mindless pyrotechnics.

The lurid depictions of despair, self-loathing, and violence could put off even the most hardened social worker.

In my mind's eye, I could see psychiatrists amongst the theater audiences, furiously jotting down their observations.

Understandable; the two principal characters are, in the common parlance, screwed up. One cannot cope with failure, so decides to opt out, while the other does cope, but only barely, existing along the ragged edges of what passes for society in Nevada Hell.

These details, though, tend to outline and, indeed, strengthen the true heart of this film: Sacrifice and Unconditional Love. If this film is not for everyone, then who is it for?

Those with real life experience and the maturity gained thereby. Those with strong emotional constitutions. Anyone appreciative of impassioned performances.

Alcoholics, recovering and otherwise. Petty whiners in need of perspective. And, more than anyone else, couples who plan on breaking up. In sickness and in health, 'til death do us part.

WCS02 7 June I've seen this film 5 or 6 times. I believe author John O'Brien thought he was living through a hallucination in the final throes of his diseased life.

The possibility rises out of several conspicuous dynamics in the film. First, that Ben's life was invested developing Hollywood drama prior to being dismissed by his boss, who will clearly miss his talent and personality in the office, a talent singularly broken by the ravages of alcoholism.

He is good at inventing and developing "story". If his occupation had been Investment Banking or Teaching, I'd feel differently.

But John O'Brien bore him with a Hollywood mind. That lit the flame for me. That Ben repeatedly calls Sera his angel during his demise - as he enjoys the best of - and endures the worst of - Las Vegas living.

It is possible that all of it is a hallucination during the final pathetic act of his life. The invention of Sera makes his passing bearable, doable, a possible goal for him.

That Sera endures the college team horrors, discuses her relationship with the off-camera therapist to whom she confesses her soul-deep love for Ben In my last analysis, she is an angel divined in his fertile mind to embody all of the good people and events in his life the wealth flashback memories, e.

Sera has come to take him out while steeling the love in his heart. She sees him for what he is, because that's what responsible angels do.

This is a work with metaphor far beyond the veneer of the surface dialog. It's a film demanding to be viewed more than once. Or perhaps, I'm just going nuts, have lost it and I'm hallucinating in my own right.

Either way, enjoy. Ben Sanderson is an alcoholic, who after getting released from his well paid screen writing position, heads to Vegas with his severance pay.

Where he seriously plans to drink himself to death. But whilst cruising down the strip he meets Sera, a nicely turned out prostitute, and both troubled souls come together in an unlikely romance.

Based around the semi-autobiographical novel by John O'Brien, an alcoholic who committed suicide before the film made it to the screen, this is a sad, dark and deeply upsetting picture.

Sanderson and his plight has no motive, we are not fed reasons for his nihilistic behaviour. We find him at the beginning of the film joyously hurtling thru a liquor market isle, promptly filling his shopping cart with bottles of liquor.

From here on in we know that this is no ordinary film about an alcoholic trying to get off the booze, we are on a train to Bleakville, stops at Love and Liberation seem a very long way away.

Enter Sera, the sweet and wholesome prostitute, who having escaped the abusive and borderline psycho pimp, Yuri, is herself in need of liberation.

The best blow out I have ever gotten in Vegas was at The Bellagio. They use this 5 brush method that adds tons of volume. It's pricey but with the dry climate , you can go days with out a wash.

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The best blow out I have ever gotten in Vegas was at The Bellagio. They use this 5 brush method that adds tons of volume. It's pricey but with the dry climate , you can go days with out a wash.

Log in to get trip updates and message other travelers. Where to get a blowout? Watch this Topic.

Browse forums All Browse by destination. Las Vegas forums. All forums. Level Contributor. Report inappropriate content.

Related: What are the most popular tours in Las Vegas? See all. Best Seller. Re: Where to get a blowout? Mark W. Ask a question. If not, who plans to go?

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